Painting of a Living Room Art Museum Van Gogh Yellow Paintings in Real Life
In that location are few names more renowned in the globe of art than Vincent Van Gogh. The Dutch post-impressionist is revered for his colourful, innovative way and romanticised for his tragic life (which saw him die earlier his work gained recognition), a combination that ensures the painter's popularity endures to this day.
A new touring multi-sensory exhibition of his piece of work has led to a surge in interest in the 19th century artist, but, when it comes to uncovering Van Gogh's life and legacy, in that location is so much more to see.
Though his painting career spanned only 10 years, Van Gogh was prolific, creating over 2000 works that are at present scattered in museums and galleries effectually the world, from Cardiff (Landscape at Auvers in the Rain; National Museum) to Mexico City (Shepherd with a Flock of Sheep; Museo Soumaya).
Hither we choose some of the essential Van Gogh stops for art fans, rounding up a selection of venues that business firm the most iconic and important paintings by the Dutch visionary, starting with his early efforts and running to his concluding, troubled days.
Editor'southward note: During COVID-xix, please check the latest travel restrictions before planning any trip and always follow local government health advice. Events may be subject to change.
1. Kröller-Müller Museum, Otterlo
Having spent many years working as an art dealer (and sincerely flirting with the idea of condign a priest), Van Gogh did not really start painting until the ripe erstwhile historic period of 28.
Some of the creative person's earliest works hang in the Kröller-Müller Museum, a sleek, glass-walled venue in forested parkland nigh the village of Otterlo, kingdom of the netherlands. Nevertheless Life with Yellow Harbinger Lid shows a drove of objects on a desk, and probably dates to late-1881, making it one of three artworks that vie for the title of being Van Gogh'southward oldest-known painting. A number of sketches are also on display here that are even older, mostly comprising of portraits of labourers in the hamlet of Etten, where Van Gogh returned to live with his parents to pursue art in earnest (something his parents weren't overly enthused virtually).
With the second-largest Van Gogh collection in the world, the Kröller-Müller also displays many other noted works by the artist from throughout his career, with the highlight of the collection arguably Café Terrace at Dark. The painting of diners outside a coffee shop in Arles, French republic, is the first known example of Van Gogh using a starry background, a motif the artist would reuse in many of his best-known works.
2. Van Gogh Museum, Amsterdam
The world's largest collection of Van Gogh art can – fittingly – be found in the Van Gogh Museum, Amsterdam. It is hither that art lovers will also find what is considered by many to be the Dutchman's first masterpiece, The Potato Eaters.
The work, painted in 1885, continues Van Gogh'southward interest in capturing the harsh reality of peasant life on canvas, with the painting depicting five farm workers sitting downward for a meal together in a dimly lit scene; a style choice that contrasts sharply with the artist's later on works that are revered for their employ of vivid colours.
As the de facto hub of Van Gogh's artistic legacy, the museum is practically bursting with of import works from throughout the artist'southward life, including The Xanthous Firm, depicting the building where the painter lived and worked in Arles, and Almond Blossoms, which was a gift from Van Gogh to his brother Theo (who supported him financially throughout his art career) following the nascence of his son.
While here, visitors should also make time to see The Painter of Sunflowers, a portrait of Van Gogh at his easel painted past his long-time friend, occasional enemy and artistic contemporary, Paul Gauguin (though Van Gogh was initially not a fan of the piece of work, saying Gaugin had painted him every bit a 'madman').
iii. Musée d'Orsay, Paris
Post-obit spells living in Nuenen, Antwerp and Paris, all of which resulted in relatively little noteworthy artistic output, Van Gogh decamped to the repose French commune of Arles in 1888. The change of environs spurred something of a creative awakening in the painter, and a number of his nigh love works from this prolific period adorn the walls of Paris'due south cavernous Musée d'Orsay.
Must-see 'Arles' works in the Left Bank museum include the evocative landscape Starry Night Over The Rhone and a smaller version of Sleeping room in Arles (the original hangs in the Van Gogh Museum in Amsterdam). Though painted later in his career, Portrait of Dr Gachet is another precious stone in the museum's collection. The painting is a second version of the portrait; the first edition of which became the most expensive artwork of all time when it sold for $82.five meg in 1990. Following the sale, the painting disappeared from all public records, and its current whereabouts are unknown.
The Musée d'Orsay likewise houses perhaps the nigh iconic self-portrait of the creative person, with the wavy blue groundwork. Another famous self-portrait, with the painter sporting his bandaged ear (which he cut off to give to a brothel worker; more on that afterward), hangs in The Courtauld Gallery at Somerset Business firm, London, while a third, depicting the creative person in the throes of mental illness, and just officially authenticated in 2020, is on display in the Nasjonalmuseet, Oslo.
4. Yale University Fine art Gallery, New Oasis
One of Van Gogh'southward all-time-loved pieces from his time in Arles has found its manner to the halls of the Yale Academy Art Gallery in New Haven, Connecticut.
The Night Café depicts the interior of an all-nighttime Arles pub, with drunks sprawled over tables, while the owner stands alone next to an empty billiards table in the painting'south centre. The clashing colours and thick paint strokes evoke the raw emotions associated with such a venue, a place where, as Van Gogh said in a letter to his blood brother, 'one tin can ruin oneself'.
After staying up for three nights to finish the painting, Van Gogh gave what would become ane of his most celebrated works to the café owner to pay his tab. This was not the just work the painter gave away during his time in Arles, gifting Portrait of Doctor Félix Rey to the sitter upon its completion. The story goes that the medico did not like the portrait, however, and used it to repair an old chicken coop. Today it'southward on show at the Pushkin Museum of Fine Arts, Moscow, and thought to be worth over $fifty one thousand thousand.
2 other mural paintings past Van Gogh, one depicting an orchard and another of a square in Paris, are also on display at the Yale University Art Gallery.
v. National Gallery, London
Information technology was in 1888, towards the finish of his fourth dimension in Arles, that Van Gogh worked on the 2d of his well-known sunflower serial, a project that harked back to his early still life days. One of the best recognised work from the series, Sunflowers Fourth Version, takes pride of place in the National Gallery in London. Other works from the set can be seen at the Neue Pinakothek in Munich, Philadelphia Museum of Art in Philadelphia and Sompo Museum of Fine art in Tokyo.
Another still life, Van Gogh's Chair, which depicts the artist'south simple wooden seat and was painted the aforementioned year, also hangs in the London gallery. Its spiritual companion slice, Paul Gauguin'south Armchair, which depicts the pew of the artist'southward long-time friend (Gaugin was living with Van Gogh in Arles during this flow), is displayed in the Van Gogh Museum in Amsterdam. Art critics have made much of the symbolism in the two works, suggesting the complementing colours but contrasting manner of the chairs (Van Gogh'due south simple, Gauguin's ornate) denotes the highly tumultuous relationship between the pair.
This long relationship would come to a dramatic climax just a few months later the piece of work was finished, when, in December 1888, a heated argument betwixt the two served as the catalyst for Van Gogh cut off his ear. The two never saw each other over again.
6. The Museum of Modern Art, New York
Following the, now infamous, ear severing, Van Gogh voluntarily checked himself into the Saint-Paul-de-Mausole asylum in Provence, France, in 1889.
Despite his struggles with his mental health, it was at Saint-Paul-de-Mausole that Van Gogh created what many consider his magnus opus, The Starry Nighttime, based on the dark-time view from the window of his pocket-size room. The painting hangs in the The Museum of Modern Art (MoMA) in New York and is today deemed to be one of the most recognisable works in western art.
Two more works of annotation from this period are on brandish at the MoMA. The first is Olive Copse in a Mountainous Landscape, considered by Van Gogh to be a daytime complement to The Starry Night, and Wheat Fields with Cypresses, which the artist felt to exist his all-time solar day-time work. Both share the emblematic wavy brushstroke technique institute in The Starry Night.
Another of Van Gogh's esteemed works from this period, Irises, which depicts the flowers growing in the gardens of the Saint-Paul-de-Mausole infirmary and was the almost expensive painting always sold at the fourth dimension of auction in 1987 ($54 million), is on display at The Getty Center in Los Angeles, California.
7. Kunstmuseum Basel, Basel
Van Gogh left Saint-Paul-de-Mausole in 1890 and moved to the Parisian suburb of Auvers, where he spent the final twelvemonth of his life. He initially moved to Auvers to exist treated by homeopathic md Paul Gachet, but in a alphabetic character to his blood brother, Van Gogh confided that he thought Gachet was "iller than I am."
His fourth dimension in Auvers was productive, with the artist producing a number of landscape works including The Church at Auvers, which hangs in the Musée d'Orsay (aslope the aforementioned 2nd portrait of Gachet), Tree Roots, on display at the Van Gogh Museum and the, probably unfinished, Farms near Auvers, now in the National Gallery, London.
The creative person's final completed work is contested, but mostly agreed to be Daubigny'south Garden. The painting, produced in the summer of 1890, depicts the enclosed garden of the house of Charles-François Daubigny in Auvers, a painter whom Van Gogh admired throughout his life, and hangs in Kunstmuseum Basel, Basel, with another edition in the Hiroshima Museum of Art, Hiroshima and a smaller study in the Van Gogh Museum. The painter likely shot himself within weeks of finishing the piece.
Aslope the kickoff version of Daubigny's Garden, Basel's Kunstmuseum also displays Marguerite Gachet at the Piano, a portrait of Paul Gachet's girl also painted in Auvers, and the landscape work View of Paris from Montmartre painted in 1886.
Van Gogh merely sold i painting in his lifetime, The Red Vineyard, which Anna Boch, an impressionist painter, bought for 400 Francs in the terminal year of Van Gogh'due south life. The work at present hangs in the Pushkin Museum of Fine Arts, Moscow.
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